Daniel Buren, a seminal figure in contemporary art, has carved out a unique niche with his use of stripes, transforming the perception of spaces and challenging the very essence of art itself. Often associated with French Minimalism and Conceptual Art, Buren's work transcends conventional definitions, embracing a radical approach that intertwines art, architecture, and the public sphere.   Who is Daniel Buren? Born in 1938 in Boulogne-Billancourt, France, Daniel Buren's career began in the 1960s, during a period of profound experimentation and innovation in art. He initially trained as a painter but soon moved away from traditional painting to explore the boundaries of what constitutes art. His work is characterized by the use of repeated vertical stripes, exactly 8.7 cm wide, which he refers to as his "visual tool." These stripes are not just a stylistic choice but a conceptual device that Buren uses to engage with the context in which his works are placed. Buren's stripes appear on canvases, walls, banners, buildings, and even as part of larger architectural environments. His work often challenges the boundaries between art and its surroundings, questioning where the art ends and the world begins. This approach aligns him with Minimalism’s reduction of...

"Newton No:3," created by Leigh Bagley in 2020, is a vibrant and dynamic artwork that showcases the artist's unique approach to geometric abstraction and colour theory. Bagley, known for his bold use of colour and geometric shapes, employs these elements to create visually striking compositions that captivate the viewer's attention. In "Newton No:3," Bagley explores the interplay between form and colour, using precise lines and shapes to create a sense of movement and rhythm within the composition. The artwork is characterised by its intricate geometric patterns and vibrant colour palette, which range from bold primary hues to subtle pastel tones. These colours and shapes interact with each other, creating visual tension and harmony simultaneously. The title of the artwork, "Newton No:3," may suggest a reference to Sir Isaac Newton, the renowned physicist whose laws of motion and theories of light greatly influenced the understanding of space and time. Bagley's use of geometry and colour may evoke the idea of scientific principles at play, further enhancing the conceptual depth of the artwork. Highlighting the intricate process involved in crafting a single piece of art, this exclusive digital print showcases the myriad layers that compose the artwork. These layers create a sense...

"Ecriture No. 1 - 06" (2006) is a significant work by the renowned Korean artist Park Seo-Bo, who is celebrated for his pioneering contributions to the Dansaekhwa (Korean monochrome painting) movement. This artwork belongs to Park's iconic "Ecriture" series, which he began in the late 1960s and has continued to explore throughout his career. In "Ecriture No. 1 - 06", Park employs his signature technique of repetitive mark-making to create a textured and contemplative surface. The term "Ecriture" translates to "writing" or "script" in French, reflecting Park's interest in the act of mark-making as a form of visual language. The painting features delicate layers of Korean hanji paper, meticulously applied with gentle strokes of paint, often in muted tones of gray, white, or beige. What distinguishes Park's "Ecriture" series is its emphasis on process, materiality, and meditative practice. Park's methodical approach involves building up layers of paper and paint over time, allowing each mark to accumulate and interact with the surface beneath it. The resulting compositions exude a sense of depth, rhythm, and contemplation, inviting viewers to engage with the work on both a physical and spiritual level. "Ecriture No. 1 - 06" exemplifies Park Seo-Bo's mastery of minimalism and...