Park Seo-Bo's <Ecriture No.16-78-81> (1981) stands as a seminal work within the Korean art movement known as Dansaekhwa, or Korean Minimalism. Dansaekhwa, translating to "monochrome painting," emerged prominently in the 1970s as artists sought to express meditative abstraction, reflecting a national healing process following the Korean War.

Ecriture No.16-78-81 exemplifies Park's signature technique of repetitive gestures, creating textured surfaces that invite contemplation. This method aligns with the Dansaekhwa artists' emphasis on materiality and process, where the act of creation becomes a meditative practice. The movement is characterized by its tactile quality, expressing a Korean philosophy of assimilation with nature, contrasting with the formalistic perspectives of Western monochrome painting. 

Dansaekhwa artists, including Park Seo-Bo, often employed unconventional methods such as dragging pencils, soaking canvases, and repetitively marking surfaces to produce works that are both minimalist and deeply reflective. This approach was not merely an aesthetic choice but also a means of personal and collective healing in post-war Korea. 

Park's "Ecriture" series, with "No.16-78-81" as a notable example, reflects a dedication to the physical act of painting, where the repetitive motions serve as a form of meditation, embodying the artist's spirit and the passage of time. This focus on process and materiality is a hallmark of Korean Minimalism, distinguishing it from its Western counterparts. 

In recent years, there has been a resurgence of interest in Dansaekhwa, with exhibitions and auctions highlighting the significance of Korean Minimalism in the global art scene. This renewed attention underscores the movement's unique contribution to contemporary art, blending traditional Korean aesthetics with modernist principles. 

Ecriture No.16-78-81 remains a testament to Park Seo-Bo's influence in the art world, encapsulating the essence of Dansaekhwa and its meditative, process-driven approach to minimalism. 

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